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Twentytwenty

by Cloudland Blue Quartet

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1.
Standing on the corner suitcase in my hand Jack is in his coat Jane is in her vest, me I'm in a rock'n'roll band Ridin' in a Studebaker Jim, those were different times! All the poets they studied rules of verse, all the ladies, they rolled their eyes Sweet Jane Sweet Jane Sweet Jane Well Jack, he is a banker, and Jane she is a clerk And both of them save their monies, when they come home from work Sittin' down by the fire, the radio is playin’ a little classical music there Jim It’s “The March of the Wooden Soldiers" and you can hear Jack say Sweet Jane Sweet Jane Sweet Jane Some people, they like to go out dancing and other people, they have to work And there's even some evil mothers tell you everything is dirt That women, never really faint that villains always blink their eyes And that children are the only ones who blush and life is just to die! And everyone who ever had a heart, they wouldn't turn around and break it And anyone who ever played a part, they wouldn't turn around and hate it Sweet Jane Sweet Jane Sweet Jane
2.
Satie I - I 05:52
3.
4.
5.
It’s a nice job in a small town When everybody knows your name It’s a nice job in a small town When everybody knows your name And at the end of the day when the whistle blows You make your way to your favourite bar It’s a nice job in a small town When everybody knows your name Well respected, looked up to And everybody knows your name And at the end of the day when the whistle blows You make your way to your favourite bar You drink your life away You piss your life away There’s nothing left to say Except “goodbye” today It’s a nice job in a small town When everybody knows your name It’s a nice job in a small town When everybody knows your name
6.
7.
Keep your feet on the ground Don’t think out loud Play dead when you fall Don’t answer their call Keep yourself to yourself Do nothing at all I walked through the silence and the colour and the heat And in the twilight saw his fingers play the barrel of his gun The silence is chilling Then it starts again The voice comes from nowhere And then I see the radio We curve round and down and off the bridge The big sign with the stars over looking the falls When he comes into the room One thing that strikes me is the tune They think they know, they don’t know anything at all And when the telephone does ring When you are walking through the rain And then you know that there is someone after all Play dead when you fall Do nothing at all Keep your feet on the ground Blend in with the crowd Blend
8.
Satie II - V 04:49
9.
10.
11.
Mosquito 06:01
On the North side of the lake He'd turned and said “goodbye” Everything felt bad And the coffee tasted bitter He lit another cigarette And doused the fire's flame It was such a quiet night As he lay beneath the stars A mosquito at his ear He sat up and lit a match The mosquito on the canvas Just above his head A satisfying hiss And then he went to sleep A good ending to the story That was what he thought
12.
13.
Crimson flames tied through my ears, roll high and mighty traps Pounced with fire on flaming roads, used ideas as my maps "We'll meet on edges, soon," I said, so proud 'neath heated brow. Ah, but I was so much older then, I'm younger than that now. Half-wracked prejudice leaped forth, "Rip down all hate," I screamed Lies that life is black and white spoke from my skull. I dreamed Romantic flanks of musketeers, foundationed deep, somehow. Ah, but I was so much older then, I'm younger than that now. Faces formed the forward path, from phony jealousy To memorizing politics, of ancient history Flung down by corpse evangelists, unthought of, though, somehow. Ah, but I was so much older then, I'm younger than that now. A self-ordained professor's tongue, to serious to fool Spouted out that liberty's just equality in school "Equality," I spoke the word, as if a wedding vow. Ah, but I was so much older then, I'm younger than that now. In a soldier's stance, I aimed my hand, at the mongrel dogs who teach Feared not I'd become my enemy, in the instant that I preached My pathway led by confusion boats, mut'ny from stern to bow. Ah, but I was so much older then, I'm younger than that now. My guard stood hard when abstract threats too noble to neglect Deceived me into thinking I had something to protect Good and bad, I define those terms, quite clear, no doubt, somehow. Ah, but I was so much older then, I'm younger than that now.
14.
15.
Here we are Stuck by this river You and I Underneath a sky that's ever falling down, down, down Ever falling down. Through the day As if on an ocean Waiting here Always failing to remember why we came, came, came I wonder why we came. You talk to me As if from a distance And I reply With impressions chosen from another time, time, time, From another time.
16.
17.
You tell me that you’re leaving but I don’t care Cos I’ve been on my own so many times before You’re looking backward now for some hint of regret As you slip out through the door Well let me tell you I don’t love you Never did and never will, no I don’t care You were just an empty room furnished by my imagination I don’t care, I don’t care I bet you thought I’d be home every night I’d be crying But I’m out with the boys every night having lots of fun, fun, fun Now you were probably thinking that I’d be dying And that you were the only one Well let me tell you I don’t love you Never did and never will, no I don’t care You were just an empty room furnished by my imagination I don’t care, I don’t care Let me tell you I don’t love you Never did and never will, no I don’t care You were just an empty room furnished by my imagination I don’t care
18.
19.
Super 8 05:25
When I walked into the gallery And I saw your Super 8 I wanted to go back to all The places we'd found great All the bars and all the clubs And the record shops and stuff Where we'd got to really know each other Where we'd fallen in love And down among the trees At the farthest point from here We'd so enjoyed the sunshine Though we lived in constant fear That everything we knew and loved Just teetered on the brink There was nothing we could do we knew However hard we'd think We tried cure and cure and cure But nothing seemed to work While others thought all was ok They could not know what lurked How everything was turning black And nothing could be done We could not see beyond the clouds We could not see the sun And then one day we'd had enough We called that day a day And though we knew it would be tough We knew we'd be ok For in the long run all's for naught And nothing's left to say And all we're really looking for is Another happy day I thought that might be what I'd found When I saw your Super 8 But I knew deep down I still had lost Everything that's great
20.
21.
The king is in the counting house sitting by the door The queen is in her parlour lying on the floor The baby’s in the stroller in the middle of the street I’m standing on the corner just staring at my feet I don’t care about you, you don’t care about me We don’t care about the baby anymore, We’re walking out the door The car is round the corner, the taxi’s at the drive The pets are in their cages, we’re going for a ride The dogs are on the streets, they’re all off the leash I could’ve sworn that I caught sight of you underneath their feet I don’t care about you, you don’t care about me We don’t care about the baby anymore, We’re walking out the door You’re leaving on a jet plane, you’re flying out today You’re going to America, TWA You never came to see me, you wrote “there’s nothing left to say” You’ll be flying like the crow flies, TWA I don’t care about you, you don’t care about me We don’t care about the baby anymore, We’re walking out the door We don’t care what people say, we don’t care about yesterday We don’t care what people say, we don’t care about yesterday
22.
23.
I was driving in my car, when the engine stopped But I was too far away to get home Broken down at the foot of a hill With unknown assailants moving in for the kill Far away, far from home Then I woke up in my bed, I still had a feeling of uncertain dread But I got up and made a start to the day, The only thing I know for sure is I'm Underground like Doug McClure and so, so far away I was sitting in a bar when a fight broke out But I was too far away to get home Broken chairs crashing 'cross my head And I'm feeling pretty sure I'm going to wind up dead Far away, far from home Then I woke up in my bed, I still had a feeling of uncertain dread But I got up and made a start to the day, The only thing I know for sure is I'm Underground like Doug McClure and so, so far away I was flying a one-engined plane, when I got that strange feeling once again I'd flown too far away to get home Fuel gauge reading empty and propeller failing I jumped out of the plane with both arms flailing I'd flown too far away to get home Then I woke up in my bed, I still had a feeling of uncertain dread But I got up and made a start to the day, The only thing I know for sure is I'm Underground like Doug McClure and so, so far away
24.
25.
26.
27.
Where have you been, my blue-eyed son? Where have you been, my darling young one? Strayed on the side of twelve misty mountains. Walked and I've crawled on six crooked highways. Stepped in the middle of seven sad forests. Been out in front of a dozen dead oceans. And it's a hard rain's a-gonna fall. What did you see, my blue-eyed son? What did you see, my darling young one? A newborn baby with the wild wolves around it. A highway of Diamonds with nobody on it. Ten thousand talkers whose tongues were all broken. Guns and sharp swords in the hands of young children. And it's a hard rain's a-gonna fall. What did you hear, my blue-eyed son? What did you hear, my darling young one? The sound of a thunder that roared out a warning. One hundred drummers whose hands were a-blazing. Ten thousand whispering, and nobody listening. One person starve and many people laughing And it's a hard rain's a-gonna fall. Well, what'll you do now, my blue-eyed son? What'll you do now, my darling young one? Going back out, 'fore the rain starts a-fallin'. Walk to the depths of the deepest dark forest, Where the people are many, and their hands are all empty, Where the executioner's face is always well hidden, Where black is the colour, where none is the number. I'll stand in the ocean until I start sinking. I'll know my song well before I start singing. And it's a hard rain's a-gonna fall

about

Twentytwenty (Crispycat 2008 - 31 December 2020) is a compilation of recordings made during 2020 by Cloudland Blue Quartet, often in collaboration with others or integrating others' work into the pieces.

Of the 27 tracks on this double CD length album, 18, plus the 15 minute bonus track, are previously unreleased (109:34).

The collection features tracks taken from the 2020 albums "Satie", "Cage", "Beethoven", "Disquietsongs", "Disquietmusik IV" and the EP "The Surrender of Barcelona (1934-1937)" (64:30)

The previously unreleased recordings include live performances by CBQ with Capital Models from January 2020 covering Bob Dylan, Lou Reed and Brian Eno; remixes from the album "4th May, 2020"; rehearsals of Cloudland Blue Quartet songs by CBQ & Capital Models; solo acoustic versions of songs from the Cloudland Blue Quartet albums "Soundingfall" (2009), "Doveloveshawk" (1999) and Capital Models' "Maskless" (1980); tracks from the forthcoming album "Sparklemusik"; a solo cover of a Bob Dylan song; previously unreleased collaborations with American double bassist, Tim Webb and with unmet drummers; and solo and collaborative pieces previously only available as bonus downloads.

For those who download there is a previously unreleased bonus track "Mrs Robinson and the Surrender of Barcelona", created especially for this release.

credits

released December 31, 2020

Twentytwenty is a compilation album from Cloudland Blue Quartet, of mostly previously unreleased music, recorded from January to December 2020 (Crispycat 2008 - 31 December 2020)

Credits (for background and individual credits on each piece, see the notes on the individual tracks)

Vocals, Guitar, Samples, Treatments, Rhythm Beds, Environments, Acoustic Guitar, Bass Guitar, Acoustic Bass, Drum Loops. Keyboards, Synthesiser, SFX, cover (“Accidental Painting”, 13 July 2019) and production by David Reilly
with
John Weitzen - Drums (1, 5, 12, 15, 23, 27, 28)
Stuart Cobley - Guitar, Synthesiser Environments, Presence (1, 5, 9, 15, 27, 28)
Paul Reynolds - Keyboards (1, 5, 15, 23, 27, 28)
Keith Apter - Bass Guitar (1, 5, 15, 23, 27, 28)
Edward Spark - Programming, Keyboards, Samples, Rhythm Beds (9, 11, 18, 19)
Tim Webb - Double Bass (10)
444 - Drums (10)
Romain Goulon - Drums (16)
Scott Renton - MC (27)

Compiled at Crispycat Studios, Edinburgh, UK, 22-29 December, 2020

Recorded
Crispycat Studio, Edinburgh, UK, January - December 2020
plus
Club Nitty Gritty, Edinburgh, UK, January 2020 (1, 15, 27)
Barntongate Drive, Edinburgh, UK, January 2020 (1, 15, 27)
Moat View, Roslin, UK, January, February, March 2020 (5, 15, 23, 28)
Kittery, Maine, USA, February 2006 (Bass) (10)
Unknown Location, USA, April 2020 (Drums) (10)
Moat View, Roslin, UK, December 2020 (Drums) (12, 28)
France, November 2014 (Drums) (16)

Sources and Recording Dates:-
1, 15, 27 Kind of Live at Club Nitty Gritty (January 2020)*
5 Capital Models Rehearsal 2020-02-09 (February 2020)*
13, 23 Capital Models Rehearsal 2020-03-10 (March 2020)*
2, 8, 20, 26 Satie (May 2020) (26 only available as bonus download)
3, 25 Previously Unreleased remixes from 4th May, 2020 (May 2020)**
7, 17, 21 May 2020 Acoustic Album (May 2020)***
9, 19 Sparklemusik (June 2020)**** (19 only available as bonus download))
4 Previously Unreleased remix from Cage (July 2020)
24 Cage (July 2020)
6, 22 Beethoven (August 2020)
10 Double Bass Improvisations (August 2020)*****
18 Disquietsongs (October 2020) (only available as bonus download)
11 Disquietsongs (November 2020)
14 Disquietmusik IV (November 2020)
16 The Crucifixion (1451) (2020 Jazz Edit) [Single] (December 2020)******
12 The Surrender of Barcelona (1934-1937) EP (December 2020)
28 Exclusive bonus track only available to downloaders of this compilation (March/December 2020)

Notes
*Only previously available to band members
**Tracks included are from the sessions but are previously unreleased
***Abandoned lockdown project
****Song based album due to be released as digital 8CD box set 2021
*****Only previously available as MP3 download for 7 days in August 2020
******Only previously available on Cloudland Blue Eclectic Selection 2020 Vol 50 Podcast, December 2020

To listen to the album in chronological order of recording, play the tracks as follows:-
January : 27, 15, 1
February : 5
March : 13, 23
May : 7, 21, 17, 3, 25, 2, 8, 20, 26
June : 9, 19
July : 4, 24
August : 10, 22, 6
October : 18
November : 14, 11
December ; 16, 12, 28

All compositions by David Reilly, except:-
1 Lou Reed
9 David Reilly/Craig Sutherland
10 Tim Webb/David Reilly
13, 27 Bob Dylan
15 Brian Eno/Hans-Joachim Roedelius/Dieter Moebius
17 David Reilly/Jamie Frain
28 Paul Simon/David Reilly

For best results, please listen on headphones

Produced by David Reilly
For Crispycat Recordings

Executive Producer : Anne Reilly

(p) 2020 Crispycat Recordings
©2020 David Reilly, except
1 ©1970 WEA International
5, 21 ©1999 David Reilly
7 ©2008 David Reilly
9 ©2008 David Reilly/Craig Sutherland
10 ©2020 David Reilly/Tim Webb
13 ©1964 Warner Bros. Inc.; renewed 1992 by Special Rider Music
15 ©1977 EG Music
17 ©1980 David Reilly/Jamie Frain
27 ©1963 Warner Bros. Inc.; renewed 1991 by Special Rider Music
28 ©1968 Charing Cross Music Inc / ©2020 David Reilly

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Cloudland Blue Quartet Edinburgh, UK

A quartet in name only, initially influenced by Fripp & Eno's "No Pussyfooting" and The Velvet Underground's debut, songwriter & soundscaper David Reilly started musicking in 1977 by creating drones using sellotape on the keys of his dad's Bontempi Organ. The subsequent junk shop purchases of an electric guitar & fuzzbox and the acquisition of an old Beatles songbook, led him into songwriting... ... more

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