Disquietmusik IV, by Cloudland Blue Quartet

Disquietmusik IV

by Cloudland Blue Quartet

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1.	The Surrender of Barcelona (1934-1937) 10:03	buy track
2.	Circle (1925) 09:43	buy track
3.	Frica As Fear (1950) 10:03	buy track
4.	Antibes - The Pink Cloud (1916) 06:26	buy track
5.	Vision of Ezekiel (1912) 10:15	buy track
6.	Another Time (1973) 10:06	buy track

about

The fourth in an annual series of Guitarscapes albums from Cloudland Blue Quartet, following on from the successes of "Disquietmusik" in 2017, "Disquietmusik II" in 2018 and "Disquietmusik III" in 2019.

The album has a duration of just under an hour, while the download-only version includes around a further five hours of bonus material, comprising three alternative versions, "Disquietmusik IV (Reversed)", "Disquietmusik IV (16 RPM)" and "Disquietmusik IV (16 RPM) (Reversed)".

If burning the WAVs or FLAC to CD, here is the split over the 6 Disc set

CD 1 : Disquietmusik IV : Tracks 1-6
CD 2 : Disquietmusik IV (Reversed) : Tracks 1-6
CD 3 : Disquietmusik IV (16 RPM) : Tracks 1-3
CD 4 : Disquietmusik IV (16 RPM) : Tracks 4-6
CD 5 : Disquietmusik IV (16 RPM) (Reversed) : Tracks 1-3
CD 6 : Disquietmusik IV (16 RPM) (Reversed) : Tracks 4-6

credits

released December 4, 2020

Disquietmusik IV is the 24th soundscapes album from Cloudland Blue Quartet (Crispycat 2006 - 4 December 2020)

Credits

Guitar, cover (“Mooslahnerkopf, Königssee (Detail)” 16 September, 2020) and production by David Reilly for Crispycat Recordings

Recorded at Crispycat Studio, Edinburgh, UK, 22 November, 2020

For best results, please listen on headphones

(p) 2020 Crispycat Recordings © David Reilly 2020

Executive Producer : Anne Reilly

Bonus Material (Download Only)
Three alternative versions of the original album, over the equivalent of a further 5 CDs.

Tracks 7-12 "Disquietmusik IV (Reversed)" (56:37) (1CD)
Tracks 13-18 "Disquietmusik IV (16 RPM)" (1:58:00) (2CDs)
Tracks 19-24 "Disquietmusik IV (16 RPM) (Reversed)" (1:58:00) (2CDs)

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about

Cloudland Blue Quartet Edinburgh, UK

A quartet in name only, initially influenced by Fripp & Eno's "No Pussyfooting" and The Velvet Underground's debut, songwriter & soundscaper David Reilly started musicking in 1977 by creating drones using sellotape on the keys of his dad's Bontempi Organ. The subsequent junk shop purchases of an electric guitar & fuzzbox and the acquisition of an old Beatles songbook, led him into songwriting... ... more

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