1. |
Satie I - I
05:52
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2. |
Satie I - II
06:12
|
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3. |
Satie I - III
05:56
|
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4. |
Satie I - IV
06:00
|
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5. |
Satie I - V
06:01
|
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6. |
Satie I - VI
05:55
|
|||
7. |
Satie I - VII
05:54
|
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8. |
Satie I - VIII
06:07
|
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9. |
Satie I - IX
06:49
|
|||
10. |
Satie I - X
05:09
|
|||
11. |
Satie II - I
04:41
|
|||
12. |
Satie II - II
04:46
|
|||
13. |
Satie II - III
04:44
|
|||
14. |
Satie II - IV
04:57
|
|||
15. |
Satie II - V
04:49
|
|||
16. |
Satie II - VI
04:29
|
|||
17. |
Satie II - VII
04:17
|
|||
18. |
Satie II - VIII
04:29
|
|||
19. |
Satie II - IX
04:36
|
|||
20. |
Satie II - X
05:42
|
|||
21. |
Satie III - I
04:19
|
|||
22. |
Satie III - II
04:20
|
|||
23. |
Satie III - III
04:30
|
|||
24. |
Satie III - IV
04:37
|
|||
25. |
Satie III - V
04:19
|
|||
26. |
Satie III - VI
04:21
|
|||
27. |
Satie III - VII
04:36
|
|||
28. |
Satie III - VIII
04:23
|
|||
29. |
Satie III - IX
04:18
|
|||
30. |
Satie III - X
04:34
|
Cloudland Blue Quartet Edinburgh, UK
A quartet in name only, initially influenced by Fripp & Eno's "No Pussyfooting" and The Velvet Underground's debut, songwriter & soundscaper David Reilly started musicking in 1977 by creating drones using sellotape on the keys of his dad's Bontempi Organ. The subsequent junk shop purchases of an electric guitar & fuzzbox and the acquisition of an old Beatles songbook, led him into songwriting... ... more
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